The talk

Nana: Why are you reading?

Parain : It's my job.

Nana: It's odd. Suddenly I don't know what to say; it often happens to me. I know what I want to say. I think about whether it is what I mean. But when the moment comes to speak, I can't say it.

Parain: Yes, of course. You've read the Three Musketeers?

Nana: I saw the film, why?

Parain: Because in it, Porthos, this is really in Twenty Years Later, Porthos, all strong, a little stupid, he has never thought in his life. He has to place a bomb in the cellar to blow it up. He does it. He places the bomb, lights the fuse, then he runs away of course. But suddenly he begins to think. What about? How is it possible to put one foot before the other? You must have thought about that too. So he stops running. He can't go on. He can't move forward. The bomb explodes, the cellar fell on him. He holds it up with his shoulder. But after a day, or maybe two, he is crushed to death. The first time he thought, it killed him.

Nana: Why did you tell me that story?

Parain : No reason, just to talk.

Nana: Why must one always talk? Often one shouldn't talk, but live in silence. The more one talks, the less words mean.

Parain: Perhaps. But can one?

Nana: I don't know.

Parain: I've found that we can't live without talking.

Nana: I'd like to live without talking.

Parain: Yes, it would be nice, wouldn't it? Like loving one another more. But it isn't possible.

Nana: But why? Words should express just what one wants to say. Do they betray us?

Parain: But we betray them, too. One should be able to express oneself. It has been done in writing. Think: someone like Plato, can still be understood - he can. Yet he wrote in Greek, 2,500 years ago. No one really know the language, at least not exactly. Yet something get through, so we should be able to express ourselves. And we must.

Nana: Why must we? To understand each other?

Parain: We must think, and for thoughts, we need words. There's no other way to think. To communicate, one must talk, that is our life.

Nana: Yes, but it is very difficult. I think life should be easy. Your talk of the Three Musketeers may make a good story, but it's terrible.

Parain: Yes, but it's a pointer. I believe, one learns to talk well only when one has renounced life for a time. That's the price.

Nana: So, to speak is fatal?

Parain: Speaking is almost a resurrection in relation to life. Speech is another life from when one does not speak. So, to live in speech, one must pass through the death of life without speech. I may not be putting it clearly, but there's a kind of ascetic rule that stops one from taking well until one sees life with detachment.

Nana: But one can't live everyday life with... I don't know

Parain: With detachment. We balance, that's why we pass from silence to words. We swing between the two because it's the movement of life. From everyday life one rises to a life we call superior, the thinking life. But this life presupposes one has killed the everyday too elementary life.

Nana: Then thinking and talking are the same thing?

Parain: So I believe. Plato said so, it's an old idea. One cannot distinguish the thought from the words that express it. An instant of thought can only be grasped through words.

Nana: So one must talk and risk lying?

Parain: Lies too, are part of our quest. Errors and lies are very similar.

Nana: (Tries to interrupt)

Parain: I don't mean ordinary lies, like I promise to come tomorrow, but I don't, as I didn't want to. You see, those are ploys. But a subtle lie is a little different from an error. One searches and can't find the right word. That's why you didn't know what to say. You were afraid of not finding the right word, that's the explanation.

Nana: How can one be sure of having found the right word?

Parain: One must work. It needs an effort. One must speak in a way that is right, doesn't hurt, says what has to be said, does what has to be done, without hurting or bruising.

Nana: One must try to be in good faith. Someone told me: "There is truth in everything, even in error."

Parain: That's true. France didn't see it in the seventeenth century. They thought one could avoid error, and what's more, that one can live directly in the truth. It isn't possible. Hence Kant, Hegel, Germany philosophy: to bring us back to life, and makes us see that we must pass through error to arrive at the truth.

Nana: What do you think about love?

Parain: The body had to come into it. Leibnitz introduced the contingent. Contingent truths and necessary truths make up life. German philosophy showed us that in life, one thinks with the servitudes and errors of life. One must manage with that, that's true.

Nana: Shouldn't love be the only truth?

Parain: For that, love would always have to be true. Do you know anyone who knows at once what he loves? No. When you are twenty you don't know. All you know are bits and pieces, you make arbitrary choices. Your "I love" is an impure affair. But to completely at one with what you love you need maturity. That means searching, that is the truth of life. That's why love is a solution, on condition that it is true.


字幕来源: https://www.youtube.com/watch?v=VUp_du3awI0

与Nana交谈的学者( zhě)为法国哲学家 Brice Parain (Courcelles-sous-Jouarre, 10 March 1897 - 20 March 1971 ) https://en.wikipedia.org/wiki/Brice_Parain

电影《红楼梦之金玉良缘( yuán)》胡玫导演情感细腻 刻画( huà)角色灵魂呼之欲出

影影视讯由胡玫执导的( de)《红楼梦之金玉良缘》将于( yú)8月16日全国上映,今日发布( bù)“一朝入梦”导演特辑与“神( shén)游太虚”及“宝玉出家”两张( zhāng)经典场面海报!胡玫表示( shì),当今中国电影工业的制( zhì)作水平已经证明了我们( men)是一个电影大

84.25K
3周前

弗洛伊德的史云梅耶表( biǎo)述

在传统理论看来,梦是一( yī)个人思维深处的映射,潜( qián)意识里的表象正是现实( shí)生活中无法流露出来的( de)真正情感。史云梅耶选择( zé)用俄狄浦斯情节的梦境( jìng)映射,还原弗洛伊德的学( xué)说。的的确确这是一篇论( lùn)文一样的电影,但是种种( zhǒng)奇观式的意向着实让人( rén)产生兴趣去继续与导演( yǎn)探究弗洛伊德的思想精( jīng)华。 ...

57.16K
2周前

对这个片子导演的采访( fǎng)(觉得 写得很有内容)

与“美丽都”导演的疯狂约( yuē)会—— 法国顶级动画导演Sylvain Chomet谈( tán)电影创作 http://www.acgidd.com/html/xinwen/CGzixun/2009/0316/168.html 带图的原文 http://www.acgidd.com/ ACG国( guó)际动画教育官方网站 http://www.douban.com/group/180111/ ACG国( guó)际动画教育影影视小组 ...

65.32K
0月前

活得像一个真正的人

没有人会孤独,我们都是( shì)社会的一部分。 没有人有( yǒu)权利绝望,我们要使明天( tiān)更好。 —— A Better Tomorrow 《少年的你》有许多拦( lán)路虎。 开片就是对校园霸( bà)凌的文字介绍。如此一来( lái),令电影的方向不会偏移( yí)到青春早恋(《青春派》),也不( bù)是滑向更加危险,社会新( xīn)闻化的少年犯(《少女...

11.18K
3周前

一部《倩女幽魂》,成就港片( piàn)绝唱

影影视特稿 1976年,徐克回到( dào)了香港,在美国学习电影( yǐng)的他,心里憋着一股劲。 此( cǐ)时的香港影坛,正处于从( cóng)传统武侠、动作电影,转型( xíng)为多元类型化的时期。邵( shào)氏、嘉禾两大电影公司垄( lǒng)断电影市场的格局在慢( màn)慢瓦解。

89.66K
3周前

《阿凡达:水之道》曝新中字( zì)预告 中国台湾抢先全球( qiú)公映

影影视讯 詹姆斯·卡梅隆( lóng)执导的《阿凡达:水之道》发( fā)布电视预告(中字),三大主( zhǔ)角现身,12月14日中国台湾抢( qiǎng)先全球公映,12月16日北美上( shàng)映。 据AMC院线消息,影片时长( zhǎng)最终显示192分钟,与“卡神”另( lìng)

74.14K
3周前

忽略狗血剧情,我们就是( shì)来看打斗的

阿金斯的动作就是刚猛( měng)、有力、拳拳到肉,而且柔韧( rèn)性还这么好!我即使年轻( qīng)的时候再怎么锻炼我的( de)胳膊腿也是僵硬的,都弯( wān)不到背后。你说他肌肉这( zhè)么发达还这么四肢活泛( fàn)灵活回转,真是百炼钢绕( rào)指柔。而且你说他的肌肉( ròu)是吃类固醇吃出来的吧( ba),但是他快五十岁了容貌( mào)看上去还这么年轻帅...

82.20K
0月前

《你就在我身边》定档5月17日( rì) 李汶翰领衔告白必看青( qīng)春片

影影视讯今日,由高锐执( zhí)导,高颜值阵容李汶翰、鹤( hè)男、段晓薇、李斯南等主演( yǎn)的青春爱情电影《你就在( zài)我身边》官宣定档,影片将( jiāng)于5月17日登陆全国各大院( yuàn)线。同时,影片的“双向约定( dìng)”版预告和海报也趁热曝( pù)光,画风清

10.61K
3周前

repo

终于 起着鸡皮疙瘩 看完( wán)了母胎solo恋综 先说结论 什( shén)么恋综都看只会害了我( wǒ) 以后看恋综的前提是卡( kǎ)颜 不卡颜的结果就是看( kàn)着男四黝黑又泛着油光( guāng)还镶嵌着眯眯眼的脸 做( zuò)出一些让人脚趾抓地的( de)行为 只能大喊麦艾斯 麦( mài)艾斯 而不是内心默念帅( shuài)哥做什么都对 网飞做的( de)最正确的选择就是快速( sù)播...

18.30K
0月前

影影视娱乐:《生万物》爆是爆了,步( bù)《利剑·玫瑰》后尘,让人寒心( xīn)的事发生了

至于杨幂的演技,让我们( men)细细道来。和父亲断绝关( guān)系时,杨幂的泪水中有决( jué)绝有坚定,也有壮士一去( qù)不复返的悲壮。尤为惊艳( yàn)的,是杨幂在《生万物》里的( de)哭戏。

98.19K
2周前